THURSDAY

Synth-pop (short for synthesizer pop; also called techno-pop is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the "Krautrock" of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s.

Initially, he was associated with magic. Dancing was believed to scare away ghosts and evil spirits. In ancient times - in Egypt, India, Greece - dance was an element of the worship of the gods. Almost every temple had an educated musician and dancer. Starting from the Middle Ages, dancing became an indispensable part of the social life of the aristocracy and nobility. Dance music in modern years is used, among others, by youth. Often colloquially, all dance music is called dance, which in English means dance.

Italo disco is a music genre which originated in Italy and was mainly produced from the late 1970s to the late 1980s. The origin of the genre's name is strongly tied to marketing efforts of the ZYX record label, which began licensing and marketing the music outside Italy in 1982. Italo disco faded in the early 1990s.

One of the early representatives of the 1980s genre was the British group Imagination and with their series of hits throughout 1981 and 1982. The term "Eurodisco" quickly faded in the 1980s and was replaced by the very wide term of "Italo disco" for more than a decade. But in America, Donna Summer was the only 1980s Eurodisco singer, and the term hi-NRG was used there instead. Italo disco was the first successful 1980s Eurodisco variation. Probably because of this, all the later 1980s Eurodisco variations were called "Italo disco" by the Europeans (with the exception of Eurobeat). Italo disco began to develop in Italy in the late 1970s and early 1980s, by groups like Gazebo, Kano and 'Lectric Workers. 1980s Eurodisco variations soon appeared later in France, Germany, Spain and Greece. The Italian and German Eurodisco productions were the most popular. German pop duo Modern Talking was an icon of Eurodisco between 1985–1987 and became the most successful Eurodisco project ever. Bad Boys Blue was another very successful project. That style became very popular in Eastern Europe and remained popular until the early 1990s. In Poland, disco polo, a local music genre relying heavily on Eurodisco was developed at the verge of the '80s and '90s. Some Canadian disco productions by groups like Lime became hits. https://en.wikipedia.org/wiki/Eurodisco

Italo disco originated in Europe in the late 1970s. After Disco Demolition Night in 1979, American interest in disco sharply declined, whereas in Europe the genre maintained mainstream popularity and survived into the 1980s. The adoption of synthesizers and other electronic instruments by disco artists led to electronic dance music, which spawned many subgenres such as hi-NRG in America and space disco in Europe. Italo disco's influences include Italian producer Giorgio Moroder, French musician Didier Marouani, French drummer Cerrone, and the San Francisco-based hi-NRG producer Patrick Cowley, who worked with singers as Sylvester and Paul Parker.

Modern Talking was a German duo consisting of Thomas Anders and Dieter Bohlen.They have been referred to as Germany's most successful pop duo,and have had a number of hit singles, reaching the top five in many countries. Some of their most popular and widely known singles are "You're My Heart, You're My Soul", "You Can Win If You Want", "Cheri, Cheri Lady", "Brother Louie", "Atlantis Is Calling (S.O.S. for Love)" and "Geronimo's Cadillac".

In the 1980s, dance music records made using only electronic instruments became increasingly popular, largely influenced from the Electronic music of Kraftwerk and 1970s disco music. Such music was originally born of and popularized via regional nightclub scenes in the 1980s, and became the predominant type of music played in discothèques as well as the rave scene.

The term came into wide use in the 1970s, where it usually referred to 7-inch vinyl singles featuring one track on the A-side and two on the B-side. The 1975 reissue of David Bowie's "Space Oddity", where the featured song is coupled with "Changes" and "Velvet Goldmine", is a typical example.

In the 1980s, dance music records made using only electronic instruments became increasingly popular, largely influenced from the Electronic music of Kraftwerk and 1970s disco music. Such music was originally born of and popularized via regional nightclub scenes in the 1980s, and became the predominant type of music played in discothèques as well as the rave scene.