Thursday

Italo disco is a music genre which originated in Italy and was mainly produced from the late 1970s to the late 1980s. The origin of the genre's name is strongly tied to marketing efforts of the ZYX record label, which began licensing and marketing the music outside Italy in 1982. Italo disco faded in the early 1990s.

Bad Boys Blue was formed in the summer of 1984 by German producer Tony Hendrik and his lyricist wife Karin van Haaren. The original trio consisted of Jamaican Trevor "Supa T" Taylor (the original lead vocalist), BritonJohn McInerney, and American Andrew Thomas.Their debut single "L.O.V.E. In My Car" failed to make an impression in the pop charts but the follow-up "You're a Woman" was a success, reaching the top 10 in many European countries.    

Modern Talking was a German duo consisting of Thomas Anders and Dieter Bohlen.They have been referred to as Germany's most successful pop duo,and have had a number of hit singles, reaching the top five in many countries. Some of their most popular and widely known singles are "You're My Heart, You're My Soul", "You Can Win If You Want", "Cheri, Cheri Lady", "Brother Louie", "Atlantis Is Calling (S.O.S. for Love)" and "Geronimo's Cadillac".  

In the 1980s, dance music records made using only electronic instruments became increasingly popular, largely influenced from the Electronic music of Kraftwerk and 1970s disco music. Such music was originally born of and popularized via regional nightclub scenes in the 1980s, and became the predominant type of music played in discothèques as well as the rave scene.

Synth-pop (short for synthesizer pop; also called techno-pop is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the "Krautrock" of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s.

The main goal is to discover, produce and release 80s Italian dance tracks and in this way keep this great music alive and bring lost Italo Disco tracks to the daylight and delight of Italo-fans.The main form for Flashback Records releases are 12″ vinyls (in the 80s spirit), but Flashback Records has also released some CD albums. All the products are official releases under supervision of S.I.A.E. – Italy or NcB – Scandinavia. Flashback vinyl releases are very limited editions and ment mainly for the collectors and DJs. Flashback Records sub-labels, Disco Evolution, M-Energy Records, Time Machine Productions and Rebirth Records, have been created to connect 80s Italo Disco music to the present time by giving some modern flavour to the sound (Disco Evolution) and by introducing new generation Italo artists (Rebirth Records). By buying our products you will support our activity and you will give us a chance to continue our projects and maybe the next Flashback release will be a real masterpiece of Italo Disco for you.

Italo disco is a music genre which originated in Italy and was mainly produced from the late 1970s to the late 1980s. The origin of the genre's name is strongly tied to marketing efforts of the ZYX record label, which began licensing and marketing the music outside Italy in 1982. Italo disco faded in the early 1990s.

Italo disco is a music genre which originated in Italy and was mainly produced from the late 1970s to the late 1980s. The origin of the genre's name is strongly tied to marketing efforts of the ZYX record label, which began licensing and marketing the music outside Italy in 1982. Italo disco faded in the early 1990s.

Italo disco is a music genre which originated in Italy and was mainly produced from the late 1970s to the late 1980s. The origin of the genre's name is strongly tied to marketing efforts of the ZYX record label, which began licensing and marketing the music outside Italy in 1982. Italo disco faded in the early 1990s.

Synth-pop (short for synthesizer pop; also called techno-pop is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the "Krautrock" of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s.

Synth-pop (short for synthesizer pop; also called techno-pop is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the "Krautrock" of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s.

Synth-pop (short for synthesizer pop; also called techno-pop is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the "Krautrock" of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s.